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Connecting The Wire: Race, Space, and Postindustrial Baltimore (Texas Film and Media Studies Series) (Paperback)

Connecting The Wire: Race, Space, and Postindustrial Baltimore (Texas Film and Media Studies Series) By Stanley Corkin Cover Image
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Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002–2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society riven by racism and inequality.

In Connecting The Wire, Stanley Corkin presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show’s depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire’s creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social “givens.” In The Wire’s gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Corkin maps a web of relationships and forces that define urban social life, and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture.

About the Author

Cincinnati, Ohio

Corkin is Charles Phelps Taft Professor and Niehoff Professor of Film and Media Studies in the Departments of History and English at the University of Cincinnati. His previous books include Starring New York: Filming the Grime and Glamour of the Long 1970s, Cowboys as Cold Warriors: The Western and U.S. History, and Realism and the Birth of the Modern United States: Cinema, Literature, and Culture.

Praise For…

[A] smart, engaging book-length examination . . . . Stanley Corkin, in his deep analysis, approaches David Simon’s masterful series from a media studies perspective without losing any of the sociological focus.
— Film International

Despite The Wire’s run on HBO ending in 2008, many of the themes and topics examined are still relevant today. . . Connecting the Wire provides a comprehensive resource for utilizing the HBO series as a device for further geographic, sociological, and media studies research and discussions. Whether a loyal viewer of the series while it aired, or someone only vaguely familiar with the show (which can easily still be binged watched today), Corkin’s treatment of the television show provides depth, insight and context for what the back cover touts as “critically acclaimed as one of the best television shows ever produced."
— Popular Culture Studies Journal

A careful analysis of the popular HBO television series The Wire...Connecting the Wire is an important read for…scholars of race, poverty and urban inequality. Corkin works to analyze The Wire in the context of some of the important discussions about deindustrialization and urban decline. Connecting the Wire is also an important tool or those who teach in this area.
— Ethnic and Racial Studies
Product Details
ISBN: 9781477311776
ISBN-10: 1477311777
Publisher: University of Texas Press
Publication Date: February 14th, 2017
Pages: 260
Language: English
Series: Texas Film and Media Studies Series